There are many high officials associated with the Cathedral of the Assumption of the Blessed Virgin Mary in Salisbury. This Salisbury Cathedral is the tallest tower (404 feet) in Britain. The best surviving of the four original Magna Carta (1215) copies are stored there. It has the oldest working clock in Europe (1386) and is the largest cathedral in Britain. The choir (or choir) is also the largest and oldest complete set of stalls in the UK. The vault here is one of the tallest in Britain. Bigger, better, better – and was built in 38 years, roughly 1220 to 1258, which is a very short construction schedule for a large stone building built without motor equipment.
One of the reasons why Salisbury Cathedral was so unusual was that it was the first major cathedral to be built without interruption. The architect and the priests were able to conceive a plan and place it as they saw fit. The construction was carried out by a single business, giving the complex a unified symbol and a unique identity. Five years after the cathedral building was completed, the wardrobe began to be used exclusively as a decorative element, with copying shapes, patterns, and materials.
It was a great opportunity to develop early English Gothic architecture. Salisbury Cathedral is a place where you can make the most of this emerging technology. Tall arches and lancet shape New technology has been used everywhere, from the west window to the painted arches on the east corner. The narrow pillars of the cathedral were made of cut stone, not of rubble, as in the old buildings, which changed the distribution of the structure’s weight and added more light to the interior. The dark gray perch is adorned with thin strips of marble, which again appear as clusters. The triforium is used as stand-alone support in the arches of the cluster and cluster. Triforium and Cloisters repeat the same patterns in plate trusses. Basically, the square shapes cut in the stone, the proportions in the zinc strips as well as the hexagonal and octagonal layers, are always uniform.
One deviation from the typical Gothic style is the lower arcade level of the ship and the way it is cut by a thread running between it and the triforium. In many churches of this period, columns or pillars extend in one way or another to the ceiling or vault. The arcade in Salisbury here is simply an arcade, the effect of which is like a layered cake, with the upper layers sitting from the bottom to the top.
The original design required a fairly ordinary rectangular cross tower. But in the early 14th century, two stories were added to the tower, and later in 1330, a pointed stone was added. It is the most easily recognizable feature of the Cathedral. It is visible for miles. However, the addition of this unique tower added more than 6,000 tons to the supporting structure. Since the building was not designed to withstand the additional load, additional buttons need to be installed internally and externally. Trans sept now plays masonry covers or filter arches to support the weight. Surprisingly, the tower was never straight. It is now inclined about 27 inches to the southeast.
The Cathedral was well-intentioned for centuries, but later architects, such as James White and Sir George Gilbert Scott, underwent extensive renovations to bring the building into contemporary taste. As a result, the interior has lost its original beauty and property, including furniture, glass, and small churches, and new things have been added. This is common in a building that is centuries old. Fortunately, the formality and clean lines of the Cathedral were not damaged. It is now refined, polished, and generally easy on the eye.
This is a very common surprise in such a huge and significant building. Even though it is as beautiful as a wedding cake, it has been criticized by art historians. Both Nicholas Pevsner and Harry Batsford disliked the West, criticizing its iconic burial and “various minorities.” John Ruskin, a Victorian art critic, and writer found the building to be “deep and dark.” In fact, in gray weather, the monochromatic crust of Chilmark stone and Purbeck marble turns gray over gray.
However, the pictures in this essay show the widely varying nature of the neutral tones. Sunlight changes the experience of the building and its guests. It was this quality that revolutionized the Gothic style. It has the potential to receive sunlight into a large building with large stone walls. And there are windows everywhere, and the interior turns from gray to excess gold as light flows through the clear arches and oversized west window.